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Unique Durations: 8-9
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Unique Notes: 16 - 20
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edward.maurath
Handel: HWV 57: Samson, "Total Eclipse"
edward.maurath
3:16 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 55 9 8 95%
Bass 21 8 3 6 92%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 55 9 8 95%
Bass 21 8 3 6 92%
Cello Bass 17 0 3 6 87%
Violins
1		 Treble 17 0 1 7 75%
Violins
2		 Treble 16 0 1 8 75%
Samson Treble 15 0 5 6 72%
CBass Bass 16 0 2 6 69%
Violoncellos Bass 16 0 2 6 69%
 
"Vieni o cara" from "Rinaldo," HWV 7 (1711)
edward.maurath
5:21 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 38 7 8 100%
Bass 25 20 8 6 97%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 38 7 8 100%
Bass 25 20 8 6 97%
Violoncello Bass 25 0 8 6 97%
Argante Bass 17 0 5 10 80%
Contrabasses Bass 18 0 3 6 75%
Violoncellos Bass 17 0 3 6 74%
Violin Treble 16 3 3 7 72%
 
Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734
edward.maurath
3:16 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
Basso

Continuo		 Bass 18 0 3 9 100%
Contrabasses Bass 17 0 3 9 100%
Violas 16 0 3 9 100%
Violini 1 Treble 24 0 5 12 100%
Violini 2 Treble 24 0 5 13 100%
 
"Sento brillar" from "Il Pastor Fido," HWV 8, last season
edward.maurath
5:48 Est. Play
Time
104 Measures
2,734Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 68 8 10 99%
Bass 24 50 5 5 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 68 8 10 99%
Bass 24 50 5 5 100%
Violoncello Bass 19 0 3 5 100%
Contrabassi (Continuo) Bass 17 0 3 3 97%
Violas 18 0 4 4 97%
Violins
1		 Treble 20 0 4 4 97%
Violins
2		 Treble 22 0 5 4 97%
Violoncelli (Continuo) Bass 18 0 3 3 97%
Soprano as
Mirtillo		 18 0 6 10 75%
Bassoon (Continuo) Bass 13 0 1 3 31%
Bassoon with
violas		 11 0 1 3 31%
Oboe Treble 16 0 1 4 31%
 
"Ah! crudel, il pianto mio deh!," from "Rinaldo," HWV 7, (1711)
edward.maurath
5:50 Est. Play
Time
45 Measures
1,422Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 23 0 5 11 100%
Contrabass Solo Bass 22 0 6 8 95%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 23 0 5 11 100%
Contrabass Solo Bass 22 0 6 8 95%
Violoncello (Continuo) Bass 20 0 5 8 95%
Cembalo
(Continuo)		 Treble 27 49 8 8 89%
Bass 23 18 5 8 94%
Contrabassi (Continuo) Bass 19 0 5 8 90%
Violas 15 0 3 8 90%
Violins
1		 Treble 22 0 6 9 90%
Violins
2		 Treble 22 0 4 8 90%
Violins
3		 Treble 18 0 4 7 90%
Violoncelli
(Continuo)		 Bass 19 0 5 8 90%
Violoncello Solo Bass 21 0 5 8 86%
Oboe Treble 18 0 4 9 85%
Armida 17 0 6 9 68%
 
Se a me non sei crudele, ogn' or from "Giulio Cesare," HWV 17 (1724)
edward.maurath
5:15 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 26 24 9 8 100%
Bass 25 5 7 9 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 26 24 9 8 100%
Bass 25 5 7 9 100%
Contrabass Bass 23 0 6 9 100%
Violin Treble 24 0 7 9 100%
Violoncello Bass 24 0 7 9 100%
Violoncellos Bass 23 0 6 9 100%
ACHILLA Bass 17 0 4 8 77%
 
"Then free from sorrow" from "Samson," HWV 57, (1741)
edward.maurath
3:09 Est. Play
Time
63 Measures
1,039Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 17 53 4 4 89%
Bass 18 15 1 4 90%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 17 53 4 4 89%
Bass 18 15 1 4 90%
Harp Continuo Treble 17 53 4 4 89%
Bass 18 15 1 4 90%
Violoncello Continuo Bass 17 0 1 4 90%
Violini 1 Treble 16 0 2 7 67%
Violini 2 Treble 17 0 3 8 67%
Contrabassi Continuo Bass 15 0 1 4 59%
Violoncelli Continuo Bass 15 0 1 4 59%
Philistine woman 14 0 3 5 56%
 
Handel - HWV 61, Overture in e minor
edward.maurath
6:09 Est. Play
Time
70 Measures
2,097Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vln
1		 Treble 26 0 9 10 98%
Viola 18 1 5 9 96%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vln
1		 Treble 26 0 9 10 98%
Viola 18 1 5 9 96%
Vln
2		 Treble 29 0 11 10 96%
VLN
3		 Treble 20 2 6 9 91%
Harpsi Treble 19 44 4 8 51%
Bass 25 14 9 9 87%
Cello Bass 23 0 8 9 87%
Kontrebaß Bass 23 0 8 9 87%
OBO
1		 Treble 22 1 8 10 83%
OBO
2		 Treble 22 1 8 10 83%
Bassoon Bass 23 0 8 9 79%
Organ Treble 15 21 2 8 38%
Bass 17 8 2 7 29%
 
HWV17a2n05y1724 "Se in fiorto ameno prato" from "Giulio Cesare in Egitto"
edward.maurath
6:49 Est. Play
Time
97 Measures
1,535Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 6 9 85%
Harp Treble 21 27 6 8 84%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 6 9 85%
Harp Treble 21 27 6 8 84%
Bass 28 68 10 8 84%
Harpsichord Treble 20 48 6 8 84%
Bass 27 51 9 8 84%
Cesare Treble 15 0 6 8 71%
Bassoon Bass 14 7 0 7 60%
Continuo Bass 22 0 6 5 55%
Vln
1		 Treble 16 0 4 8 37%
Celli Bass 16 0 2 5 35%
Kontrebaß Bass 16 0 2 5 35%
Vln
2		 Treble 13 0 0 6 32%
Violas 10 0 0 7 29%